Tuesday, July 31, 2018

Daily News: Automated Google Ads, Bing Ads Bidding Strategies, Smartphone Digital Assistants

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Here is today’s roundup of news related to local marketing and advertising, local media, technology, local commerce, consumer behavior and more. Automated Google Ads Won’t Solve the Challenge of Ad Creative (July 30, 2018) LSA Insider: “Earlier this month, Google introduced “responsive search ads” which automate the search campaign optimization process using machine learning. Google takes up to 15 ad headlines and 4 description lines testing various combinations to identify the strongest ad creative for a given search query.” New Tech Adoption Index Podcast: “Age is a Moving Target” (July 30, 2018) LSA Insider: “The Tech Adoption Index‘s survey research has consistently found that younger business decision makers are far more likely to want to use apps to run their businesses that older decision-makers.” Bing Ads rolls out Target CPA & Maximize Conversions bidding strategies (July 30, 2018) Search Engine Land: “A campaign only needs a minimum of 15 conversions within the past 30 days to be eligible for either of the new bidding strategies.” Google’s Path to Becoming the Transaction Layer of the Web (July 30, 2018) Street Fight: “Google’s been trying its best to answer questions directly on-SERP since the early days of the Knowledge Graph, and in local at least, “answering questions” frequently means putting you in touch with a business.” Smart Speaker Owners Starting to Default to Their Devices For Audio (July 30, 2018) Marketing Charts: “Streaming music is one of the most common uses of Smart Speakers, and there’s evidence now that Smart Speaker owners are beginning to default to their devices for all their audio needs.” Google Has the Most Intelligent Digital Assistant (July 27, 2018) Search Engine Journal: “Google Assistant is the most accurate smartphone digital assistant, beating Amazon Alexa, Apple’s Siri, and Microsoft Cortana. A report released this week from Loup Ventures contains data from a digital assistant test, which measures how well the four competitors answered a series of 800 queries.”

https://www.businesscreatorplus.com/daily-news-automated-google-ads-bing-ads-bidding-strategies-smartphone-digital-assistants/

Automated Google Ads Won’t Solve the Challenge of Ad Creative

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Earlier this month, Google introduced “responsive search ads” which automate the search campaign optimization process using machine learning. Google takes up to 15 ad headlines and 4 description lines testing various combinations to identify the strongest ad creative for a given search query. According to Google, this kind of automated optimization of search campaign creative results in about 15% more clicks vs. standard search campaigns. The ads are only in beta but the company plans to roll them out more broadly over the next several months. While this improves optimization efforts, advertisers and agencies will still need creativity to influence clicks and calls. Even with 15 headlines, the emotional nature of consumers and subjectivity that influences actions can’t be accounted for by a machine. The responsive search ads merely improve the odds of landing on something interesting or compelling. Over time, however, marketers utilizing these ads will become more versed on what a given audience considers “interesting” or effective from a clicks perspective. This understanding could then inform copy for future campaigns, helping improve ad quality. While extremely helpful, this doesn’t completely solve the creative challenge. At a minimum, the ads could improve SEM experiences for agencies and the SMBs who self-manage. According to Google, the result of responsive search ads is more flexibility for advertisers, less time spent analyzing results, more reach with ads that can compete across more auctions and queries, and the obvious benefit of improved ad group performance. Google also introduced new ad tools (Local Campaigns, Smart Shopping Campaigns) for small, time-strapped SMBs. These automate mostly everything, but again, this doesn’t entirely solve the challenge of creativity and the more emotional or contextual components of advertising. Responsive search ads are one of the biggest changes Google has introduced to paid search in recent history, removing friction from one of the most tedious campaign aspects: optimization. This makes for a more competitive auction by helping small agencies and advanced SMBs compete with large advertisers/agencies on relevance and quality. While the budget and bid for certain keywords may still be out of reach for small agencies and the SMBs they serve, location serves as another layer of specificity that may help boost ad quality. Whatever the case, the change results in a better search experience for the user with ads that are more relevant and engaging. In informal discussions across the country at MarketingBitz Bootcamps, we have often heard about poor paid search experiences among SMBs. Many executed self-managed campaigns and the vast majority abandoned paid search because of a poor experience and lacking results. Assuming a more advanced SMB can generate 1-3 high quality headlines out of 15 total, responsive search ads could help drive better results and improve the overall perception of SEM. Whatever the case, the backbone of all this potential transformation with paid search rests on the assumption that Google’s machine learning technology works as intended. With time being a constraint for advertisers big and small, search ad campaigns where optimization is automated opens the door to more DIY and better overall ad experiences. But creativity will remain the necessary human element of successful search ads. WordStream offers a comprehensive look at what responsive search ads mean for advertisers as well as some best practices to consider. You can view the article here.

https://www.businesscreatorplus.com/automated-google-ads-wont-solve-the-challenge-of-ad-creative/

Travel ban waivers are wrongfully denied, class action lawsuit alleges

Immigration Law
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Protest rally at the U.S. Supreme Court on June 26. Jerome460 / Shutterstock.com

Dissenting from Trump v. Hawaii, the “travel ban” case, U.S. Supreme Court Justice Sonia Sotomayor wrote that there’s reason to believe that the visa waiver program, granting exceptions to the ban in specific situations, “is nothing more than a sham.” A new lawsuit, filed electronically July 29, argues that the waiver program indeed is a sham, with little public information about how to apply for a waiver, and many applicants reporting either being denied without a chance to formally apply or having their applications stuck in limbo forever. Only a tiny number of waivers have been granted, says the proposed class in Emami v. Trump. Vox has a story. Though Emami is the first lawsuit over the travel ban to be filed after the Supreme Court ruled in Trump v. Hawaii last month, it doesn’t directly challenge the legality of the ban. Rather, it argues that the process for exceptions to the ban—one basis for the 5-4 majority’s ruling in the case—is deliberately designed to provide few waivers. The complaint notes that President Donald Trump’s third travel ban has been in effect since December of 2017, when the U.S. Supreme Court stayed injunctions issued by lower courts. Since that time, waivers are the only way into the United States for individuals from the “banned” countries—all majority-Muslim countries except North Korea, which already tightly restricts travel to the United States, and Venezuela, where only certain government officials and their families are banned. Waivers are supposed to be granted to people who do not pose a security or public safety threat, would suffer undue hardship if rejected and whose admission would serve the U.S. national interest. But those waivers aren’t truly available, the lawsuit charges, in part because waivers are denied without any meaningful individualized consideration. It says many visa applicants were told a waiver was denied before they’d even applied for one. In some cases, those were people whose visas were revoked after initially being approved. As of July 29, the complaint says, the rejection rate for people from banned countries was above 98 percent. Furthermore, the complaint says, there’s evidence that even the 2 percent who are cleared for waivers may not get visas because waiver applications are languishing in bureaucracy. The complaint quotes a sworn affidavit from a former consular official, Christopher Richardson, who told a different federal court that consular officers were ordered to find as few people as possible eligible for a waiver. If a person did meet all the criteria, he said, the application was to be sent to Washington, D.C. for a final determination. “There really is no waiver and the Supreme Court was correct to point out that the waiver is merely ‘window dressing,’” Richardson’s testimony says. The lawsuit says this has resulted in separation of multiple families. One plaintiff is a U.S. citizen who has been living in Djibouti with his Yemeni wife because her waiver was denied before she was able to apply for one. Their five-month-old son is a U.S. citizen who has never been to the United States. Several others are U.S. citizens forced to become single parents or separate from their children because their spouses or children are stuck overseas, sometimes in dangerous situations. Several other plaintiffs are people who were approved for “extraordinary ability” EB-1 visas—the same kind of visa granted to First Lady Melania Trump—because of academic or artistic work, but who were denied visas. One was outright told he was being rejected because of the travel ban, but not permitted or instructed in applying for a waiver. The plaintiffs allege that this violates the Administrative Procedure Act, the Immigration and Nationality Act and their due process rights under the Fifth Amendment. “As we’ve been talking to immigrants and assisting people with the waiver process,” Sirine Shebaya of plaintiffs’ law firm Muslim Advocates told Vox, “we’ve come to realize all the ways in which there is no actual process — and, to the extent there is a process, it’s designed to result in near-universal rejection.”

https://www.forlawfirmsonly.com/travel-ban-waivers-are-wrongfully-denied-class-action-lawsuit-alleges/

Prince’s estate files lawsuit over cybersquatting of prince.com

Internet law
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Lenscap Photography/Shutterstock.com.

The estate of the late recording artist and actor Prince is suing an Englewood, New Jersey-based domain broker for cybersquatting the prince.com website. Filed last Wednesday in the U.S. District Court for the District of New Jersey, the suit alleges that Domain Capital is infringing on the estate’s “PRINCE” trademark by owning the domain. Legaltech News has the story. Born Prince Rogers Nelson, the artist came to prominence in the late 1970s and early 1980s, and was the driving force behind the 1984 soundtrack and film Purple Rain. Prince died at 57 of a fentanyl overdose in 2016 at his Paisley Park recording studio in suburban Minneapolis. His estate owns three trademarks under the Prince name. The complaint alleges that Domain Capital provides a lease-back program where an owner of a domain sells the digital property to the company and the company then leases it back to the original owner for continued use. This provides a heightened level of privacy for the original owner. This is the arrangement between the unknown original owner of prince.com and Domain Capital. The complaint did not say how the defendant had profited from this transaction. Prince.com does not currently return a result when typed into a browser. Plaintiffs requested immediate and permanent injunctive relief, transfer of the domain, damages and attorneys’ fees. The suit is being brought under the Anticybersquatting Consumer Protection Act. Passed in 1999, the law created a federal cause of action if a domain name was registered, trafficked or used in a way that infringed upon a trademark or personal name. This is not Domain Capital’s first run-in with infringement. According to the complaint, the company “has been ordered to transfer domain names under the Uniform Domain Dispute Resolution Policy for the registration and use of the domain names in bad faith.” Since Prince’s death, his estate has filed a flurry of lawsuits both big and small. In 2016, the estate sued media mogul Jay-Z’s Roc Nation, a company that owns the online music streaming service Tidal, for copyright infringement, according to the Hollywood Reporter. The same publication reported that a settlement was reached earlier this year. In late May, the estate sued an Oklahoma man for copyright infringement after he posted some of the artist’s videos, Billboard reported. After reviewing probate documents, the Chicago Tribune reported that Comerica Bank & Trust and its attorneys, which include Fredrikson & Byron, have been paid $5.9 million in fees and expenses. Prince’s estate, estimated to be worth $200 million before taxes, is currently going through probate in Carver County District Court in Minnesota.

https://www.forlawfirmsonly.com/princes-estate-files-lawsuit-over-cybersquatting-of-prince-com/

Monday, July 30, 2018

The Facebook Attribution Window: How Facebook Tracks Conversions

the-facebook-attribution-window-how-facebook-tracks-conversions.pngConfused by the Facebook attribution model for ads? Wondering which ad should receive credit for a conversion? In this article, you’ll learn how to use the Facebook Attribution Window feature for Facebook ad campaigns.
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The Facebook Attribution Window: How Facebook Tracks Conversions by Jordan Bucknell on Social Media Examiner.

How Does Facebook Ad Attribution Work?

When people interact with your Facebook ads or Instagram ads, they can take a variety of actions such as watching your video, visiting your website, or purchasing your product. Each of these actions is recorded. When your ad leads to a conversion, Facebook will attribute (credit) the ad in Ads Manager. It’s important to have this data to see how well your campaigns and ads are doing and determine if you’re reaching your targets. The number of days between when someone viewed or clicked your ad and then took action on your website is referred to as an “attribution window.” The default Facebook attribution window settings show actions taken within 1 day of viewing your ad and within 28 days of clicking your ad. You can change the settings for both the view and click windows to 1, 7, or 28 days. the-facebook-attribution-window-how-facebook-tracks-conversions-2.png Facebook reports on both views and clicks of ads taken within the attribution window. Remember that Facebook attributions are for the date the ad was viewed or clicked, not the date the conversion took place. Now that you understand how attribution works, here’s how to start tracking attributing actions taken on your website to your Facebook ads.

#1: Set Up the Facebook Pixel and Conversion Tracking

If you haven’t already installed the Facebook pixel (a piece of code) on your website, you need to do that first. Check out this article for a detailed step-by-step guide for installing the pixel. the-facebook-attribution-window-how-facebook-tracks-conversions-3.png You also need to add code to your website so Facebook can recognize when visitors take certain actions (called event tracking). To illustrate, by installing an event pixel on your “Thank you for purchasing” page, Facebook can determine if a purchaser has viewed one of your ads and if a sale can be attributed to that ad. You can choose from a number of events to track. I recommend adding the Add to Cart, Initiate Checkout, Purchase, and Viewed Content events. (Page views are included as part of the pixel base code.) the-facebook-attribution-window-how-facebook-tracks-conversions-4.png For each event, you can set parameters to generate the code you need. In the example below, you want to install a pixel for the Purchase event with a conversion value of $10. the-facebook-attribution-window-how-facebook-tracks-conversions-5.png Once you’ve set your parameters, paste the code into your website pages. A few hours after setting up the tracking, check that the number of Facebook pixel fires matches what has been recorded in your conversion tracking. It’s important to make this data check for the current day and not for previous days. To check the number of Facebook pixel fires, open Business Manager, then Ads Manager, and select Pixels under Measure & Report. the-facebook-attribution-window-how-facebook-tracks-conversions-6.png You can then see data for each of the event pixels you’ve added. At this point, nothing has been attributed, so simply make sure the number of purchases in the pixel manager line up with your actual number of overall purchases. the-facebook-attribution-window-how-facebook-tracks-conversions-7.png If your pixel data and sales data don’t match, your pixel probably isn’t tracking correctly. If you have issues, use the Pixel Helper tool to run through the different actions that can be taken on your site. The Pixel Helper should help you determine if any pixels aren’t firing correctly.

#2: Change Your Facebook Attribution Window

Before making changes to the time frame of your Facebook attribution window, it’s important to consider what type of business you have. For instance, a large number of people may make a purchase a day (or several days) after being served an ad from an ecommerce store, but higher-priced products tend to have longer windows.
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No matter what your business type is, consider all attribution windows before choosing the one you want to report on. Whatever window you use, Facebook will never take credit for conversions (or other actions) taken outside of a Facebook attribution window. To change your attribution window, open Ads Manager and go to Settings. the-facebook-attribution-window-how-facebook-tracks-conversions-9.png In the Attribution section on the right side of the page, click Edit. Then drag the slider to select your preferred click window and view window. When you’re done, click Save Changes. the-facebook-attribution-window-how-facebook-tracks-conversions-10.png Be aware that when you change your attribution window, the default conversion window for any future ads you place will be as closely aligned to your selected attribution window as possible. If you don’t want this default, you can manually change your conversion window as well.

#3: Add Facebook Attribution Window Comparisons to Campaign Reports

To see when people most often take action after viewing your ads, you can compare one Facebook attribution window against another. Analyzing results from different lookback periods also allows you to see clicks and views data separately. To compare attribution windows, open Ads Manager and click the Campaigns, Ad Sets, or Ads tab, depending on which one you want to change the reporting metrics on. the-facebook-attribution-window-how-facebook-tracks-conversions-11.png Next, click the Columns drop-down menu and select Customize Columns. the-facebook-attribution-window-how-facebook-tracks-conversions-12.png In the Customize Columns window, click Comparing Windows in the lower-right corner. the-facebook-attribution-window-how-facebook-tracks-conversions-13.png In the Comparing Attribution Windows box that pops up, select the attribution windows you want to analyze. Then click the blue Apply button. the-facebook-attribution-window-how-facebook-tracks-conversions-14.png After you click Apply, the new attribution columns will appear in your Ads Manager and you’ll be able to see the conversion results from the different windows you selected. the-facebook-attribution-window-how-facebook-tracks-conversions-15.png

#4: Understand Attribution Report Data

Facebook counts figures on the day the ad view/click happened, not the day the conversion occurred. This is the reason that a prior month’s data isn’t fixed and will explain a lot of the discrepancies you find in your data. Remember that the Facebook attribution model is different from most others, such as Google Analytics attribution. You might assume that attribution data will be from people who converted immediately after clicking an ad. However, this isn’t always the case. Some people may convert days or even weeks after being served a Facebook ad. Facebook records who has clicked or viewed an ad, as well as who has fired a pixel on a conversion page on your website. This allows Facebook attribution to correlate a conversion with the date of an ad impression (provided it’s within the attribution window). To visualize this, if a customer clicks on a Facebook ad on June 17 and makes a purchase on July 5, the conversion will be attributed to June 17. the-facebook-attribution-window-how-facebook-tracks-conversions-16.png While you can assume that some purchases will be made immediately post-click, it’s not uncommon for reporting discrepancies to arise due to purchases made days or weeks later. Here are some other key points about this attribution model that will help you understand where the report data comes from:
  • Conversions have to be within your window. Facebook will only receive attributions from purchases if they happened within the time frame of the attribution window.
  • Clicks get credit over views. Conversions can be attributed to only one date. If a person has viewed an ad and clicked an ad, the conversion will be attributed to the click, even if the view occurred after the click. Conversions are attributed to views only if a click hasn’t been made at any point during the attribution window.
  • Multiple actions count as a click. Any engagement action counts as a click. As an example, if someone likes, comments on, or shares your ad, this action counts as a click and the conversion will be attributed to that date.
. What do you think? What Facebook attribution window settings work best for your business? Have you tried comparing attribution windows? Please share your thoughts in the comments below.
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https://www.businesscreatorplus.com/the-facebook-attribution-window-how-facebook-tracks-conversions/

Sunday, July 29, 2018

Weekly News: Digital Marketing Predictions, The Rise of Visual Search, Google Ads Arrives

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Here is this week’s roundup of the top news items related to local marketing and advertising, local media, technology, local commerce, consumer behavior and more.

Insight & Commentary

Top Digital Marketing Predictions for Local Brands (July 24, 2018) LSA Insider: “Since you follow the digital marketing industry, you probably know that industry blogs are saturated with posts about top predictions and trends during December and January every year. During this wave of pontification last year, I remember thinking, “Why is this the only time of the year that anyone does this?”” Report: E-Commerce Sites Must Fend Off Looming Challenge from Social Platforms (July 26, 2018) Street Fight: “The straightforward days of yore when e-commerce sites like Amazon made their money selling users products and social platforms like Facebook made their money selling advertisements that capitalized on users’ attention have come to an end.” Retailers Lag In Meeting Shoppers’ Digital Expectations, Study Finds (July 25, 2018) MediaPost: “Retailers are embracing digital marketing. But their investments have not kept pace with customer expectations, according to Retail’s Digital Crossroads, a study by Incisiv in partnership with Windstream Enterprise.”

Strategy & Tactics

6 Ways Marketers Are Personalizing Digital and Voice Experiences to Drive Revenue (July 26, 2018) LSA Insider: “According to Salesforce’s 2018 report, 56% of B2C customers said a tailored experience based on past interactions is very important to winning their business. In addition, just over two-thirds of B2C customers said their standards for good experiences are higher than ever.” Voice Control Forces Marketers to Think Differently (July 25, 2018) eMarketer: “Research conducted in the US by PwC in February 2018 found that searching for information, playing music, sending messages and shopping were among the activities conducted by large percentages of voice assistant users.” The Rise of Visual Search: How Brands Can Adapt (July 26, 2018) Search Engine Journal: “With new, intelligent, visual search technology being incorporated into branded apps and websites as well as improved visual search functionality being built into platforms such as Pinterest, Bing, and Google, visual search is changing the search marketing landscape as we know it.”

Stats & Studies

Report: 36% have done ‘local search’ on smart speaker (July 23, 2018) LSA Insider: “There are somewhere between 45 and 50 million smart speaker devices now in US homes, with some people owning multiple devices. Adoption is clearly starting to have an impact on the growth of other smart home tools and appliances.” Study: Social Media, Websites, Email Are Top Channels Used by Medium-to-Large Digital Marketers (July 25, 2018) LSA Insider: “In an increasingly omni-channel world, marketers must invest in multiple digital media channels. But where they should invest is not always where they do invest.” Study: Mobile dominated competing retailers’ impressions on Amazon’s Prime Day (July 19, 2018) Mobile Marketer: “While mobile shopping continues to grow, the BIScience analysis reveals that desktop display is still a valuable format for Amazon and other retailers, as shoppers often rely on both mobile and desktop during a shopping session.”

Industry News

Survey: SEO Least Popular Strategy for Enterprise Digital Marketers (July 24, 2018) LSA Insider: “Search engine optimization (SEO) has evolved over the years, with many people pronouncing it “dead” periodically. Regardless of the label we use, digital presence management and optimization for search remains a critical marketing tactic.” Facebook, Twitter, Google & Microsoft partner to launch the Data Transfer Project (July 20, 2018) MarTech Today: “The open-source initiative aims to build a framework that makes it easy for people to transfer their data between online services.” Google Ads arrives. So long, AdWords (July 25, 2018) Search Engine Land: “The new Google Ads logo appears at the top of the platform’s web interface on the initial welcome page, and the Google AdWords Twitter account has been replaced by a Google Ads account. Followers were automatically transferred.”

Member News

Yext Launches Integration With Amazon Alexa (July 25, 2018) GeoMarketing: “As a result, businesses can now feed their digital knowledge directly to Alexa — a big step in an increasingly voice-first world.” Bing Ads Can Now Have Security Badge Annotations (July 18, 2018) Search Engine Journal: “Bing Ads advertisers can now add a new type of annotation which lets searchers know that a site is secured.” Duda Certified by Local Search Association & Presented with Seal of Trust in Digital Marketing (July 20, 2018) Duda: “To qualify for this certification, Duda passed a rigorous review of its sales and business operations and verified that the company engages in best practices as set forth in LSA’s Certification Standards.”

https://www.businesscreatorplus.com/weekly-news-digital-marketing-predictions-the-rise-of-visual-search-google-ads-arrives/

Saturday, July 28, 2018

SearchCap: Google mobile speed update, Lenovo debuts Google Assistant, Google deadlines & more

searchcap-google-mobile-speed-update-lenovo-debuts-google-assistant-google-deadlines-more.pngBelow is what happened in search today, as reported on Search Engine Land and from other places across the web.

From Search Engine Land:

Recent Headlines From Marketing Land, Our Sister Site Dedicated To Internet Marketing:

Search News From Around The Web:


About The Author

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Debra Mastaler is Features Editor at Search Engine Land. She is an internationally recognized authority on link building and is an OMCP Certified Link Building Trainer. Based in Washington DC, Debra is also a columnist for Search Engine Land, has written for or been featured in numerous tech publications and is active on the search marketing conference circuit as a speaker and trainer. Debra serves as a judge for the Landy Awards and is the President of Alliance-Link.com. Connect with Debra on Twitter and LinkedIn to stay in touch.

https://www.businesscreatorplus.com/searchcap-google-mobile-speed-update-lenovo-debuts-google-assistant-google-deadlines-more/

Daily News: Google’s Mobile Speed Update, Facebook Buys Redkix, LinkedIn’s Campaign Manager

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Here is today’s roundup of news related to local marketing and advertising, local media, technology, local commerce, consumer behavior and more. Report: Google mobile speed update has no impact on general mobile rankings (July 27, 2018) Search Engine Land: “So far, the Google Speed Update algorithm has had no impact on rankings in the mobile search results, says one study.” Facebook snaps up messaging company Redkix to strengthen Workplace (July 27, 2018) Marketing Dive: “With Workplace, Facebook has been hoping to build out a stronger presence in the enterprise technology sector, hoping that familiarity with its social media platform among employees and users will strengthen the product’s appeal.” Google Updates Search to Recommend Local Events Based on User Interests (July 27, 2018) Street Fight: “Google is bringing the personalization zeitgeist to local event recommendations. The company reported on its blog Thursday that it is releasing a series of new features that will make it easier for users to find essential information about events of interest to them right on search engine result pages.” LinkedIn overhauls Campaign Manager for marketers managing high-volume accounts (July 26, 2018) Marketing Land: “The redesigned tool includes personalization options, one-click campaign breakdowns for reporting and new search capabilities.” Branded Cities and NinthDecimal Integrate Out-of-Home and Mobile Advertising for Cross-Channel Brand Engagement (July 25, 2018) NinthDecimal: “The partnership will allow advertisers to elevate the effectiveness of their OOH campaigns through NinthDecimal’s digital media extension to deliver actionable touch points to desired audiences across mobile and desktop.”

https://www.businesscreatorplus.com/daily-news-googles-mobile-speed-update-facebook-buys-redkix-linkedins-campaign-manager/

Facebook Rolls Out Watch Party to All Facebook Groups

facebook-rolls-out-watch-party-to-all-facebook-groups.pngWelcome to this week’s edition of the Social Media Marketing Talk Show, a news show for marketers who want to stay on the leading edge of social media. On this week’s Social Media Marketing Talk Show, we explore Facebook rolling out Watch Party to all Facebook groups, Twitter’s new Ads Playbook, and other breaking social media news of the week!

Watch the Social Media Marketing Talk Show

If you’re new to the show, click on the green “Watch replay” button below and sign in or register to watch our latest episode from Friday, July 27, 2018. You can also listen to the show as an audio podcast, found on iTunes/Apple Podcast, Android, Google Play, Stitcher, and RSS. For this week’s top stories, you’ll find timestamps below that allow you to fast-forward in the Social Media Marketing Talk Show replay above. Facebook Watch Party Rolls Out to All Groups: Facebook began testing a new video experience called Watch Party in groups this past January. Watch Party allows Facebook group admins and moderators to select any public video hosted on Facebook (live or recorded) and share it with other members of the group. Group members can then watch at the same time and place and also add their own commentary to the experience. This week, TechCrunch reports that Watch Party is rolling out to all Facebook groups with two new features. These include the ability for viewers to suggest videos and multiple co-hosts who can each add new videos to the queue. The article also notes that Facebook is testing support for Watch Party on pages, but “it’s not quite ready yet.” (3:20) Facebook Stories Features Tap to React Stickers: Facebook appears to be testing a new type of sticker that allows other users to “tap to react” to your Facebook stories. This possible new feature was discovered on Mari Smith‘s Facebook story and shared by Matt Navarra. (13:50) Workplace for Facebook Boosts Collaboration and Personalization Features: Facebook rolled out new features aimed at boosting team collaboration and driving greater personalization on its enterprise platform, Workplace for Facebook. These new features include Workplace profiles, which will call out team members’ birthdays and work anniversaries, share other personal details, and provide a one-click connection via Workplace chat. Workplace for Facebook will also offer a new directory search feature and admin control over Workplace people profiles such as what information is shared. (16:08)
Personalized profiles. Celebrations. And a powerful people directory. Find out how new Workplace Profiles are helping people turn companies into communities http://ow.ly/r2xx30l1Nzb Posted by Workplace by Facebook on Thursday, July 19, 2018
Workplace for Facebook Acquires Redkix: Facebook acquired Redkix, an email startup that combines email, messaging, and calendar features into one app. Recode reports that Facebook made the purchase in hopes of building out its own communication features inside Workplace, the enterprise version of Facebook that it hopes will compete with Slack. (21:07) Facebook Q2 2018 Quarterly Earnings: Facebook reports that its community now has “more than 2.5 billion people using at least one of our apps each month” which includes Facebook, Instagram, WhatsApp, or Messenger and emphasizes its continued investment in the safety and security of its platform. (22:03)
We just shared our community update and quarterly results. Our community now has more than 2.5 billion people using at… Posted by Mark Zuckerberg on Wednesday, July 25, 2018
Twitter Released Ads Playbook for Brands and Agencies: Twitter Business produced a Playbook for Agencies for Q2 2018, which aims to share answers to the most frequently asked questions by agencies and their clients about how to run Twitter ads well, where Twitter fits into an overall client strategy, and more. (24:07)
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Twitter Outlines New Developer Requirements to Protect Platform: Twitter states that its first responsibility is “to provide a place that supports the health of conversation on Twitter.” To prevent misuse of the platform, the company introduced several new requirements for Twitter API developers. New apps must now be created in the new app management portal on , which requires an approved developer account. Twitter is also applying new default app-level rate limits on POST endpoints for tweets, retweets, DMs, follows, and likes, and a new process for obtaining “high volume posting privileges.” (26:00) As part of today’s announcement, Twitter also shared that it has removed the platform access of more than 143,000 apps that violated its policies between April and June 2018, and is now giving users the option to “report a bad app” in the Help Center. LinkedIn Adds Voice Messaging to LinkedIn Messaging: LinkedIn added the ability to record and send voice messages of up to 1 minute in LinkedIn Messaging on mobile. To record a message, you simply have to tap the microphone icon in the mobile messaging keyboard then hold and record a message. Voice messaging is rolling out now in the LinkedIn app on iOS and Android and will be available globally to all members in the next few weeks. facebook-rolls-out-watch-party-to-all-facebook-groups.gifInstagram Alerts Users When Friends Are Online: Instagram is making it “easier to connect with friends on Instagram by showing you when they’re available to chat.” The company announced that a new green dot will appear next to profile pictures in various parts of the app such as the Direct inbox and the friend list when the user is active on Instagram. facebook-rolls-out-watch-party-to-all-facebook-groups-2.png Instagram notes that you’ll only see status updates for people who follow you or have connected with you in Direct. Users also have the option to disable this alert. YouTube Tests Explore Feature on iOS: YouTube is testing a new Explore feature in the iOS app with expanded video recommendations and “topics and channels users probably wouldn’t ordinarily see” over the next few weeks. Variety notes that this test will affect only 1% of YouTube’s iOS app viewers and will be very similar to Instagram’s Explore tab, which has been successful in helping users to discover more videos and creators to expand their audiences. YouTube Releases VR App for the Samsung Gear VR Devices: YouTube is expanding its virtual reality app to Samsung Gear VR devices starting next week. YouTube is also rolling out new features that allow users to watch together and chat and releasing exclusive new content for YouTube VR. facebook-rolls-out-watch-party-to-all-facebook-groups-3.pngSnap Inc. Launches Snapchat Storytellers Pilot Program: Snap Inc.’s new Snapchat Storytellers pilot program will connect businesses and brands to the app’s five most popular content makers and influencers, including Mplatco, Cyrene Q, and Shonduras. They’ll star in ads for Stories and Discover or provide creative direction to brands “with their expertise gleaned from gathering audiences of millions over the past few years in exchange for cash.” TechCrunch reports that top creators can often earn tens of thousands of dollars or more for deals with brands. Snapchat Opens Private Ads Marketplace on Select Discover Channels: Snapchat will offer “100 cherry-picked brands across the UK, Australia, the USA, and Canada” unskippable ad placements against premium publishers’ TV-style show-like content found in the Discover section of the app. The Drum reports that these publishing partners include Hearst, Vice, BuzzFeed, NBC Universal, ESPN, and others and the ads will be available through Snapchat’s self-serve ad platform in August. Snapchat Sunsets In-App Peer-to-Peer Payment Service, Snapcash: Snap Inc. is shutting down Snapcash, a relatively unknown and largely unused peer-to-peer payment service on Snapchat, by August 30. DigitalTrends reports that the Snapcash service has existed for the past 4 years, but because of “the rise of other payment apps like Venmo and its parent company PayPal, as well as bank-backed Zelle, and of course Square Cash, there were few folks who turned to Snapchat and Snapcash in order to pay their friends.” Want to catch the next Social Media Marketing Talk Show live? Click here to subscribe or add our show to your calendar.
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https://www.businesscreatorplus.com/facebook-rolls-out-watch-party-to-all-facebook-groups/

Judge allows lawsuit claim that US added citizenship question to census for discriminatory reasons

Constitutional Law
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Maria Dryfhout/Shutterstock.com

A federal judge in Manhattan ruled Thursday that the Constitution’s enumeration clause gives the Commerce Secretary Wilbur Ross the authority to add a citizenship question to the 2020 census, but there could be an equal protection violation if the decision is motivated by discriminatory reasons. U.S. District Judge Jesse Furman refused to dismiss two lawsuits seeking to block the question, saying the plaintiffs had made plausible arguments about the motivation of Secretary Ross, report the Washington Post, Courthouse News Service, the New York Times and the Wall Street Journal. One lawsuit was filed by 18 states and several cities. The other was filed by five advocacy groups. Ross has said the citizenship question will help identify voting rights violations. The plaintiffs said that adding the question would reduce the headcount because immigrants would refuse to participate, reducing federal funding when there is an undercount. Furman disagreed with plaintiffs’ claim that Ross had violated the constitutional requirement for an “actual enumeration.” There is no ban on gathering additional information on the census, Furman said. He also noted that the question had been a subject of the census for most of the last 200 years. But Furman refused to toss the equal protection claim. Furman said there were indications that President Donald Trump had been involved in the decision, and that helped nudge claims of intentional discrimination “across the line from conceivable to plausible.” Furman said Trump had made statements that could be construed as revealing a general animus against immigrants of color. Those statements include Trump’s assertion that some people trying to enter the United States are “animals, his reference to people from “shithole countries” coming to the United States, and his remark that some immigrants “turn out to be horrendous.”

https://www.forlawfirmsonly.com/judge-allows-lawsuit-claim-that-us-added-citizenship-question-to-census-for-discriminatory-reasons/

Friday, July 27, 2018

Daily News: Digital and Voice Experiences, The Rise of Visual Search, E-Commerce & Social

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Here is today’s roundup of news related to local marketing and advertising, local media, technology, local commerce, consumer behavior and more. 6 Ways Marketers Are Personalizing Digital and Voice Experiences to Drive Revenue (July 26, 2018) LSA Insider: “According to Salesforce’s 2018 report, 56% of B2C customers said a tailored experience based on past interactions is very important to winning their business. In addition, just over two-thirds of B2C customers said their standards for good experiences are higher than ever.” The Rise of Visual Search: How Brands Can Adapt (July 26, 2018) Search Engine Journal: “With new, intelligent, visual search technology being incorporated into branded apps and websites as well as improved visual search functionality being built into platforms such as Pinterest, Bing, and Google, visual search is changing the search marketing landscape as we know it.” Report: E-Commerce Sites Must Fend Off Looming Challenge from Social Platforms (July 26, 2018) Street Fight: “The straightforward days of yore when e-commerce sites like Amazon made their money selling users products and social platforms like Facebook made their money selling advertisements that capitalized on users’ attention have come to an end.” Email, Paid Search Said Easiest to Analyze; Content & Video Tougher (July 25, 2018) Marketing Charts: “Measuring marketing attribution is very important to the vast majority of marketers, reports Ascend2 in a new study involving 226 marketing influencers fairly evenly split between B2B and B2C channels.” Retailers Lag In Meeting Shoppers’ Digital Expectations, Study Finds (July 25, 2018) MediaPost: “Retailers are embracing digital marketing. But their investments have not kept pace with customer expectations, according to Retail’s Digital Crossroads, a study by Incisiv in partnership with Windstream Enterprise.”

https://www.businesscreatorplus.com/daily-news-digital-and-voice-experiences-the-rise-of-visual-search-e-commerce-social/

How to Create a Live Show on YouTube

how-to-create-a-live-show-on-youtube.pngWondering what you need to stream a live video show? Looking for tips on working with the hardware and software? To explore what you need to create a live show on YouTube, I interview Dusty Porter.

More About This Show

The Social Media Marketing podcast is designed to help busy marketers, business owners, and creators discover what works with social media marketing. In this episode, I interview Dusty Porter, a video and tech expert. He hosts the YouTube Creators Hub podcast. He’s active on YouTube and a TubeBuddy ambassador. Dusty explains how to use OBS live-streaming software to produce quality audio and video. You’ll also discover tips for appearing on-camera and creating a structure for your show.
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How to Create a Live Show on YouTube featuring insights from Dusty Porter on the Social Media Marketing Podcast.

Share your feedback, read the show notes, and get the links mentioned in this episode below.

Listen Now

Here are some of the things you’ll discover in this show:

YouTube Live Video Shows

Dusty’s Story Dusty got his start in video with a screencast he created to help a freelance partner learn how to do something in Adobe InDesign. That was the first screencast and the first YouTube video he ever made. After he uploaded the video to YouTube, he forgot all about it. A year later, in 2007, Google emailed Dusty to say the video was doing well and ask if he’d be interested in making money with its partner program. He was interested, and when he logged into his YouTube account, he saw the video had 208,310 views. He remembers this number precisely because he was so surprised by all of the interest, especially given the poor quality of the video. At that point, Dusty realized the potential of making YouTube videos. That same day, he put together his gear and a studio, and began the journey to creating his current business, Porter Media. To hone his skills, Dusty took classes at his local technical college, focusing on videography and audio production. He believes his story shows that you simply need to be willing to learn to get started. how-to-create-a-live-show-on-youtube-2.png In 2011, when YouTube live video was released, Dusty was quick to begin using it. However, the software and systems were limited. You could click a button to go live, but you couldn’t set up events or plan your live stream. Justin TV, which is now Twitch, was first to the live-streaming market, and Dusty also tried Google Hangouts. Although Dusty’s early work in live video was mostly dabbling, in late 2013 and 2014, he began to see live streaming as important to the future of video. YouTube significantly improved its live streaming so it’s now actually in the live-streaming game. Since starting his business, Dusty has created 700 YouTube videos and more than 100 streams on YouTube, Twitch, Facebook, and other platforms. Listen to the show to hear why the original name of Dusty’s YouTube channel didn’t work. Tips for Starting a Live Show on YouTube When you want to start a live show, you can use the same tools to live-stream on any platform, whether that’s Facebook, YouTube, Periscope, or elsewhere. Most people live-stream via their mobile devices. They simply tap the Live button on whatever platform they’re using. Few people use tools like OBS Studio. (OBS stands for Open Broadcaster Software, and we discuss it in more detail later.) To do a live show on YouTube, your very first step is to create a channel. Make sure your channel name and imagery fits your branding. If you search YouTube for help starting a live show, you’ll likely see some of Dusty’s videos in your search results because he tries to simplify the process. how-to-create-a-live-show-on-youtube-3.png Even with a more sophisticated setup that includes OBS, you can complete the setup in 30 minutes to an hour. After you have a YouTube channel, you download OBS, which is free. Then you open YouTube’s Creator Studio, and on the Live Streaming tab, the on-screen instructions walk you through the setup process. From there, you can set up your first event or live stream. I ask about Dusty’s show for TubeBuddy, which is a browser extension that helps people streamline the work of managing their YouTube channel. Dusty hosts both an audio-only podcast called TubeBuddy Express and a monthly live stream called TubeBuddy Live. On the live show, Dusty helps other people with live streaming. Each live show has a theme, and Dusty answers questions. To visualize this, a theme for the live show might be why you should A/B test thumbnails on YouTube. For 1 to 1.5 hours, Dusty interacts with the audience by answering their questions, and questions from the podcast, email, his personal website, or elsewhere. When Dusty started the live show for TubeBuddy, he was so nervous that he scripted the whole show by outlining the topics he wanted to cover and when he’d cover them. The show also had whimsical slides that appeared with different sound effects. Over time, Dusty learned to balance preparing for the show and letting the content happen organically or transparently. Dusty’s live show for TubeBuddy is educational so people join his live stream for the content. The bells and whistles are fun, but he balances those with the value-based information. Today, Dusty prepares for his show on YouTube by simply listing a few points he wants to cover and lets the show unfold from there. how-to-create-a-live-show-on-youtube-4.png Dusty and I then talk about how live streaming boosts your exposure on the YouTube platform. Because watch time is an important metric for the YouTube algorithm, live streams can help your visibility because they can boost your video watch time. For instance, Dusty’s live streams go for 2 to 2.5 hours. YouTube counts the time people watch his live stream toward his channel. Because live streams tend to be long, they can have a long watch time and thus tend to appear in related search results. Dusty has found that watch time is much more important than the number of channel subscribers you have, which is a vanity metric. When Dusty started live streaming on his personal channel about a year ago, he began to lose subscribers. However, his views per day and per month increased by almost 20%. Also, although his ad revenue is pennies, it increased by about 18%. how-to-create-a-live-show-on-youtube-5.png By tracking these metrics, Dusty learned that some of his YouTube subscribers weren’t fans of his twice-weekly live streams. However, people who watch his videos become the fan base that he wants (and that most businesses and YouTubers want). These fans not only watch, but also subscribe and click the bell icon when they’re notified he uploaded a video or is live on his channel. Dusty’s last tip is to reassure people who are afraid to appear on-camera. For most people, this fear is the biggest barrier to entry. When he coaches people in live streaming, he emphasizes that the more you do it, the better you’ll get, just like with anything else. He encourages people to stop waiting, because while you wait, more people join your industry and the competition increases. Even today, Dusty makes mistakes, which is simply part of live streaming. For example, he mistakenly went live on the TubeBuddy channel while he was creating an OBS tutorial. Several people from the team messaged him to alert him to the mistake. Although Dusty was embarrassed, mistakes like this allow people to see your real, human side. If you want to do a test run with live video, you can’t prevent YouTube from sharing your live stream, but you can delete your live video as soon as you’re done. YouTube processes a live video and uploads it just like a normal video. To delete the video, select it in your video manager, click Delete, and it’s gone forever. Listen to the show to hear my thoughts on the expectations viewers bring to recorded versus live video. How to Use OBS For a live show on YouTube, your software is your home base. Dusty uses OBS, which is free and available for macOS, Windows, and Linux. Software like OBS enables you to share your video feed and audio with YouTube (or Facebook, Twitch, and other platforms). For Dusty, OBS makes live streaming much easier because the features are robust. OBS works a little differently depending on your operating system. New feature sets tend to appear in the Windows version first, but the macOS and Linux versions always catch up. Also, the Mac version isn’t as intuitive to use as the Windows version. If you need help getting started, Dusty and other YouTubers have great tutorials that show you how to use OBS from start to finish. To help people new to OBS understand how it works, Dusty starts by explaining some key terms. In OBS, a scene pulls together all of the sources you want to share. Within a scene, you can include a number of what OBS calls sources, which are what people see and hear. Your sources can include a webcam, mic audio, computer audio, your computer screen, text, images, and more. You save different scenes to reflect the content you share during your live show on YouTube. To illustrate, one of Dusty’s main OBS scenes includes a video capture device (which is his main webcam), a screenshot of his desktop, and a slideshow that includes a couple of rotating images. After you set up a scene in OBS, it’s saved until you change it. After you set up several scenes, you can transition from one scene to another with one click in OBS. On the Scene Transitions tab, you also choose whether the transition is a cut, a fade, or something else that provides a visual cue you’re changing scenes, which makes the change smoother and more professional. You can also switch scenes with an external device that’s connected to your computer and has buttons you press to change scenes. Dusty uses an Elgato Stream Deck, but you can find these devices from other companies, too. (Full disclosure: Dusty partners with Elgato.) TV and radio stations call these devices switchers. how-to-create-a-live-show-on-youtube-6.png In OBS, you can program a switcher to anything, such as change cameras or play sound effects. On Dusty’s Stream Deck, each button has a miniature LED screen, so you can add a PNG image to each button that reminds you what you programmed it to do. The Elgato Stream Deck costs about $150, and you don’t need to purchase additional software to make it work with OBS. To connect your OBS setup with YouTube (or another platform), you need a stream key, which is a code you copy from YouTube and enter into OBS so it can stream to your channel. On YouTube, your stream key appears in the Live Streaming section of Creator Studio. Because a stream key can be hard to find, Dusty made videos that explain how to find the key in YouTube and Twitch. When you use OBS, you can display comments as part of your stream so everyone sees them. Or simply view comments on your computer so you can respond during the live show on YouTube. To share YouTube user comments within a live stream, enter the chatroom URL from YouTube into OBS. Specifically, in OBS, you add a browser source to the scene in which you want comments to appear. For that browser source, enter the chatroom URL. On-screen, the chat then appears on top of your stream. Alternately, third-party software like Streamlabs also allows you to pull in your chat. If you want to see the chat without showing it in your stream, you can either display your chat on a second monitor or pop out your YouTube chat as a separate window on your desktop. An example Dusty shares from the TubeBuddy Live show illustrates how you can pull together all of these features. At the beginning of the show on YouTube, you see Dusty’s face on one side of the screen and the chatroom on the other. Then, if he’s doing YouTube channel reviews or explaining how to use a tool in TubeBuddy, he transitions to a screencast so viewers see what’s on his screen. how-to-create-a-live-show-on-youtube-7.png Because Dusty uses Stream Deck to transition between scenes, the change from one scene to the next is smooth, and the stream looks professional. Listen to the show for Dusty’s prediction about OBS support for Instagram TV and Snapchat. Video Quality For a live stream, you need to balance video quality with internet speed. For most live streams, you set up OBS to stream at a resolution of 1080p, which you do in the video settings. In OBS, your canvas resolution reflects the resolution of your desktop monitor. The output, or scaled, resolution is what you set to 1080p. Then, no matter the resolution of your monitor or camera, it’s all downscaled to 1080p. To visualize this, Dusty has a nice LG monitor and a Logitech C922x webcam that can do 4K video. However, he downscales it to 1080p, and it looks fantastic. Although OBS or similar software (like Wirecast) allows you to stream at a resolution of 4K, Dusty doesn’t recommend using such a high resolution, because your Internet connection would need to handle a high bit rate. If you have a high-resolution monitor, you can try boosting the resolution to 2K. Just be sure to test whether your Internet connection can handle all of that data. how-to-create-a-live-show-on-youtube-8.png Conversely, you don’t need high-end hardware. For instance, if you have an older laptop or camera, and a decent Internet connection, you can still stream a live show on YouTube. You might have to lower the bit rate, which will affect your resolution and the video quality that the viewer sees. As with high-resolution video, simply run tests to find the best bit rate and resolution that doesn’t drop frames. Dusty recommends investing in a camera other than the one that’s built into your laptop or desktop computer. To make these cameras fit in a computer, the lens has to be small, which degrades the video quality. However, the Logitech C920 can cost as little as $50 and makes a huge difference in your video quality. The C922 or C922x also work for a live show. Listen to the show to hear Dusty and me share more about the issues with built-in cameras. Audio Quality In a live show on YouTube, audio quality is crucial. If people can’t understand what you’re saying, the audio is crackly, or you have distracting background noise like a loud air conditioner running, viewers won’t watch your live stream for long. You can avoid these audio-quality issues by adding a good microphone to your setup, choosing the right options in OBS, and using basic soundproofing in your room. You can find a suitable mic in almost any price range. For an inexpensive mic, you can buy an over-the-head style that looks like a headset and has a pop filter. You see truckers wear them to talk on their CB radios. Logitech makes these mics for $30 to $50. If you can afford it, Dusty recommends a slightly more expensive USB mic. A USB microphone plugs directly into your computer, and no other hardware is required. An example is a Blue Yeti mic that costs about $130. The Blue Snowball is a similar option that costs about $70. how-to-create-a-live-show-on-youtube-9.png Another midlevel option is a quality lapel mic. Dusty recommends Tascam mics, which cost about $70. He uses these for videography projects like weddings and has used one for streaming. Whichever lapel mic you choose, make sure it can connect via an audio interface. Setting up a lapel mic may involve a couple of extra steps that may be a little confusing until you get used to the hardware. When you stream with a lapel mic, finding the right placement for it is important. Put the mic too close to your chin, and you’ll get a lot of popping. Put the mic too far away, and people won’t be able to hear you. If you become serious about your live-stream audio, you can buy a higher-quality microphone such as the Heil PR 40, Shure SM7B, or Neumann TLM 103. These cost anywhere from $300 to $1,400. If you add a high-end mic to your live-stream setup, make sure you have a good recording space. Otherwise, the microphone will make you sound worse because it picks up more stuff. After you have the mic you need, you need to set it up as your audio source in your streaming software. A common mistake among live streamers and video creators is not selecting an audio source. If you don’t, your audio can come through your computer mic or camera mic, which won’t provide the audio quality you need. To select your audio source in OBS, select Settings and then Audio. Make sure your mic or auxiliary audio device is set to either your audio interface or your actual mic. how-to-create-a-live-show-on-youtube-10.png OBS also allows you to add filters to your audio devices. Dusty always uses the Noise Gate and Noise Suppression filters. Noise Gate eliminates white noise or background noise from your computer, keyboard, air conditioning, and so on. Noise Suppression filters all of those things even more. If you like, the Compressor filter makes your voice sound sultry and radio-like. The room where you live stream also contributes to your audio quality. With a dedicated studio, soundproofing is easy to maintain. If you don’t have access to a studio, find a carpeted room, put a couple of $12 to $15 soundproofing panels on your walls, add plants, or surround your recording space with a curtain or mattress. If you can spare a closet, the small space can make a nice studio. Listen to the show to hear Dusty and me share more about the specific setups we use for recording quality audio. How to Structure a Live Show on YouTube When you broadcast a regular show on YouTube, be prepared for only a few people to watch the live stream, especially in the beginning. Generally speaking, as you continue hosting your show, you’ll learn the structure that works best for you. Dusty has learned that having a topic for each stream is helpful when your show is brand-new. It gives your live stream an overarching theme. To illustrate, Dusty might do a TubeBuddy Live show on the topic of how to A/B test thumbnails using TubeBuddy. At the beginning of the show on YouTube, he’d get viewers involved by saying, “Hello, everyone. Welcome to today’s stream. I really appreciate you all stopping by. Where’s everyone coming from today? Let me know in chat.” As people funnel in, they begin commenting. Dusty believes more interaction on your live stream cues YouTube to promote it more. YouTube will also promote your future streams more. Although he doesn’t have any data or proof of this, he finds these results to be true for his live videos. how-to-create-a-live-show-on-youtube-11.png While people are commenting, Dusty quickly transitions to the topic. This approach is helpful for people who watch the replay because they don’t have to fast-forward through your interactions. However, YouTube will show replay viewers the comments as they happened during the live stream so any interactions you have will make sense. To transition to the topic, Dusty says something like, “Today we’re going to be talking about A/B testing thumbnails using the TubeBuddy tool.” He may show three or four slides he’s prepared that provide visual context for the topic. As the stream continues and he keeps talking about the topic, viewers hopefully begin asking questions in the chat. how-to-create-a-live-show-on-youtube-12.png If you don’t get any questions or only have one or two viewers who don’t interact, your prepared content helps you move forward with the live stream. You don’t want to say, “Oh, none of you are talking or responding to me so I’m ending the stream.” When you keep going, you improve your live-streaming skills and eventually attract more people. For instance, many Twitch streamers have told Dusty they talked to themselves and their dog for the first 3 months. If you’re new to streaming or don’t have an audience coming from elsewhere, you have to be okay with that. Building a viewing audience can be difficult. To end the stream, Dusty shares his live stream call to action. He might say, “I’ll be live-streaming every Thursday on my YouTube channel at 5 PM Eastern Standard Time.” This tells viewers your stream is like a TV show they can expect on a certain day and time. Also, let people know where they can find you, and give them food for thought or ask a question. If the topic is A/B testing YouTube thumbnails, you might ask, “What do you think are the best ways to do this?” Then people interact with the video even after you publish it. Unless the video is truly awful, Dusty recommends publishing the video so it gets even more traction over time. Listen to the show to hear Dusty share more about the benefits of having a topic.

Discovery of the Week

Easil is an online graphic design tool with templates that are especially useful for Instagram and Facebook stories. With the templates, you can create professional-looking images even if you don’t have strong design skills. The vertical image templates are especially good and make this tool great for stories. After you find a template, you can customize the font, color scheme, background, and so on. Easil also offers a creative set of fonts and a regularly updated stock art service called Easil Stock. how-to-create-a-live-show-on-youtube-13.png To use Easil, you create an account and use the app within your desktop browser. To access images you’ve created, you can log in and your assets are saved in your account. The free version of Easil is for individuals and limits the types of files you can download. For example, with the free version, you can’t download a GIF or PDF. The Plus service costs $7.50 per month, and the Edge service costs $59 per month. With the paid versions, you can store your own branding elements and fonts with the service, access additional templates, and more. Listen to the show to learn more and let us know how Easil works for you.

Key takeaways mentioned in this episode:

What do you think? What are your thoughts on YouTube live shows? Please share your comments below. how-to-create-a-live-show-on-youtube-14.png

https://www.businesscreatorplus.com/how-to-create-a-live-show-on-youtube/